When a femme fatale hires Jake Pantograph, private eye, to find her missing sister Mimi, his investigation leads him into a twisty maze of other mysteries wrapped in danger.
How far will a socialite go to break up her son's engagement? Who's blackmailing the billionaire? What happened at the scanties-party on the yacht? Will the will be read on time? How many sides are there in a love triangle? Can Jake make it through this tangle of suspects, seductions, red herrings, and off-kilter theories, to punish at least one bad guy? There won't be any black-and-white answers in this homage to the shapely characters, snappy innuendo, and sultry settings of film noir.
How far will a socialite go to break up her son's engagement? Who's blackmailing the billionaire? What happened at the scanties-party on the yacht? Will the will be read on time? How many sides are there in a love triangle? Can Jake make it through this tangle of suspects, seductions, red herrings, and off-kilter theories, to punish at least one bad guy? There won't be any black-and-white answers in this homage to the shapely characters, snappy innuendo, and sultry settings of film noir.
This production has been made possible in part by the generosity of
The Playwright:
CJ Ehrlich C.J. EHRLICH's award-winning plays have enjoyed dozens of productions, in 31 US states and on five continents, as far as Seoul, Korea and Wogonga, Australia. Full-length comedies:The Maltese Babka (WCT, NY); The Cupcake Conspiracy: “Terrorism is Easy. Marriage is Complicated” (w/Philip J. Kaplan: Rover Dramawerks, TX, Florentine Players, NE, Readers Theatre, WA; APAC, HI; finalist Charles Getchell Award, Mountain Playhouse International Comedy competition);Zane to Gate 69 (Overtime Theatre, TX); This Time We'll Make It Work (WCT; Rising Sun Performance Company, NYC; 4C Theatre, MA). C.J.'s plays are published in The Best American Short Plays of 2014-15 (Applause/Hal Leonard); five of the last six Smith & Kraus’ annual Best Ten-Minute Plays anthologies; by Heuer; and Rutledge. Some favorite collaborators: Samuel French OOB Fest, NYC; Boston Theatre Marathon; Little Fish, LA; Grin Theatre, Liverpool; Little Black Dress INK (national tour), Fury Theatre, Chicago ("Reasons We Drink" bad play fest), The Navigators (feminist science fiction theatre), and many more. A proud member of the Dramatists Guild of America and the Westchester Collaborative Theatre, C.J. lists among her greatest achievements teaching her sons the fine art of the spit take. Web: CJ-Ehrlich.com. |
The Director: Christopher Arena
Began his directing career in high school where he directed The Fantasticks. Forty-four years later, he has well over one hundred productions under his belt ranging from musical and legitimate theatre, to opera, mime and ballet. Chris spent the majority of his early career training and performing as a Mime. He studied extensively with Rasa Allen (HB Studios), and Richard Morse, (The Richard Morse Mime Theatre), as well as several members of Mummenschantz. He performed street mime in New York City, years before it became politically incorrect to do so, and has taught the craft in various theaters and colleges. After many years of working in the silent art, Chris developed an overwhelming urge to speak. Apart from a handful of stage roles, he’s been directing ever since. His credits include work in various venues in Manhattan as well as many local theaters, including: Center Stage Playhouse, The Acting Company of Greenwich, ACT, Fort Hill Players, and many more. In the early 2000’s he founded and ran, The Moonlight Theatre. There, he produced, designed and directed many rarely performed plays including, the Westchester County premiers of, As Bee’s in Honey Drownand an acclaimed production of, Quills. Chris now devotes the majority of his creative time writing. Three of his plays, The Exorstentialist, Happy Anniversary, and Rubicon Crossed, have been produced locally. He’s also in the process of writing a romance novel and a series of essays. |