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THAT'S NOT ALL SHE WROTE IV
Celebrating the Work of Women Playwrights
Celebrating the Work of Women Playwrights
Fri. July 25 @ 8 pm
Sat. July 26 @2 & 8 pm
Sun. July 27 @ 3 pm
In That’s (Not) All She Wrote IV writers will read from their own work in a specially created Open-Mic setting at the It’s Never Too Latte coffee house with audiences seated around the space cabaret-style to provide a more immersive experience. The festival continues the highly acclaimed events that launched in 2022. WCT writer/actor/director Carol Mark is directing the production and WCT writer/actor/ director/producer Lori Myers will reprise her role as executive producer. Allison Schneider is the stage manager, Kim Chandler is sound operator, Suzahn Fiering is house musician.
Lori Myers, a member of Honor Roll!, a grass-roots group of women+ playwrights over 40, and Dramatists Guild, says,” Have you ever gone to a coffee house and watched a writer stare at their screen so deep in thought that their coffee's getting cold? We're recreating that vibe in this production's fourth rendition at WCT. The show will reveal what is on that laptop and in the hearts and minds of women writers. Now more than ever, it's crucial to hear their voices.”
The playwrights and their plays and excerpts are:
Dance Therapy by Adela Armand: When a no-nonsense retiree is dragged into ballroom dance class by his “over-it” wife, bruised toes, harsh words, and one dazzling Dance Diva prove that love - like the foxtrot - is all about learning when to lead, and when to shut up and follow.
Transcended Fate: A Crone's Reckoning by Jessica W. Bonds: Danny’s journey reveals that Fate, a fickle and demanding taskmaster, weaves joy and adversity alike, leaving her to wonder whether the true gift is a blessing—or a disaster.
Out of Focus by Tina D'Amato: Reflections on a life, well...lived.
The Midnight Stage by MC De la Cruz: Told to shrink, she chose to blaze—tearing off the mask, defying the mold, and building a stage where the unheard don’t just speak… they roar.
Bunny by Joni Fritz: A commercial gig turns surreal, sweaty, and strangely profound.
Rosie by Carol Mark: Who knew that on one random hot summer night, on the edge of Harlem in a quiet blues bar…. you would find redemption.
The Girl by Gretchen Metzloff: A woman’s journey is fraught with obstacles but nevertheless, she persisted.
Doris on the Wagon by Bette Siler: Does funny little DORIS go to AA for the bear claws, the cute guys or because she couldn't possibly be more alone?"
Sat. July 26 @2 & 8 pm
Sun. July 27 @ 3 pm
In That’s (Not) All She Wrote IV writers will read from their own work in a specially created Open-Mic setting at the It’s Never Too Latte coffee house with audiences seated around the space cabaret-style to provide a more immersive experience. The festival continues the highly acclaimed events that launched in 2022. WCT writer/actor/director Carol Mark is directing the production and WCT writer/actor/ director/producer Lori Myers will reprise her role as executive producer. Allison Schneider is the stage manager, Kim Chandler is sound operator, Suzahn Fiering is house musician.
Lori Myers, a member of Honor Roll!, a grass-roots group of women+ playwrights over 40, and Dramatists Guild, says,” Have you ever gone to a coffee house and watched a writer stare at their screen so deep in thought that their coffee's getting cold? We're recreating that vibe in this production's fourth rendition at WCT. The show will reveal what is on that laptop and in the hearts and minds of women writers. Now more than ever, it's crucial to hear their voices.”
The playwrights and their plays and excerpts are:
Dance Therapy by Adela Armand: When a no-nonsense retiree is dragged into ballroom dance class by his “over-it” wife, bruised toes, harsh words, and one dazzling Dance Diva prove that love - like the foxtrot - is all about learning when to lead, and when to shut up and follow.
Transcended Fate: A Crone's Reckoning by Jessica W. Bonds: Danny’s journey reveals that Fate, a fickle and demanding taskmaster, weaves joy and adversity alike, leaving her to wonder whether the true gift is a blessing—or a disaster.
Out of Focus by Tina D'Amato: Reflections on a life, well...lived.
The Midnight Stage by MC De la Cruz: Told to shrink, she chose to blaze—tearing off the mask, defying the mold, and building a stage where the unheard don’t just speak… they roar.
Bunny by Joni Fritz: A commercial gig turns surreal, sweaty, and strangely profound.
Rosie by Carol Mark: Who knew that on one random hot summer night, on the edge of Harlem in a quiet blues bar…. you would find redemption.
The Girl by Gretchen Metzloff: A woman’s journey is fraught with obstacles but nevertheless, she persisted.
Doris on the Wagon by Bette Siler: Does funny little DORIS go to AA for the bear claws, the cute guys or because she couldn't possibly be more alone?"
